By T. Cvetkovski
Copyright governance is in a nation of flux as the limitations among criminal and unlawful intake have blurred. Trajce Cvetkovski interrogates the disorganizational results of piracy and rising applied sciences at the political economic system of copyright in renowned track, movie and gaming industries.
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Additional resources for Copyright and Popular Media: Liberal Villains and Technological Change
The preventative strategies generally include technological protection, legal action and education. The law provides for penalties and subsequent retributive justice to ensure general deterrence in order to control recidivism. Yet why do consumers continue to defy the law in the West? One explanation might be that on a moral level, copyright interference, including computer fraud, hacking into financial data, tax evasion and other classes of ‘white collar crime’, is not viewed as negatively as, say, actual property interference (that is, of tangible or physical property).
I have seen with real alarm several recent attempts, in quarters carrying some authority, to impugn the principle of patents altogether; attempts which, 20 Copyright and Popular Media if practically successful, would enthrone free stealing under the prostituted name of free trade, and make the men of brains, still more than at present, the needy retainers and dependents of the men of money-bags. Originally a common law doctrine, the principles and values accorded to copyright were derived from classical liberal thought where very minimal state intervention was preferred so as to encourage individuals’ freedoms.
44–45) has stressed the importance of Adorno’s contribution to the sociology of popular media: Adorno’s is the most systematic and most searing analysis of mass culture and the most challenging for anyone claiming even a scrap of value for the products that come churning out of the music industry. His argument … is that modern capital is burdened by the problem of overproduction. Markets can only be stimulated by creating needs … needs which are the result of capital rather than human logic and therefore, inevitably, false.
Copyright and Popular Media: Liberal Villains and Technological Change by T. Cvetkovski